slawomir idziak

i had the distinct pleasure this morning to take in krzysztof kieslowski's 'double of veronique.' the natural and sensual performance of irene jacob, the themes of identity and reflection, and the rousing score culminated in an experience that is still stirring in my mind. its magic and rhythmic beauty, in my humble opinion, are largely due to the enigmatic imagery cinematographer slawomir idziak splashes across the screen. through the use of filters, unusual framing, and expert lighting, idziak envisions cinematic worlds that resonate and burn into your mind.

here are a few of my favorite films...

double life of veronique
dir., krzysztof kieslowski
1991
hues of gold and yellow illuminate the film's heroin to maximum effect and the use of a shocking neon green evoke the green hitchcock so brilliantly conveyed in his meditation on identity, 'vertigo.' the upside down opening shot and love scene filmed through transparent ball are not to be missed.

blue
dir., krzysztof kieslowski
1993
i've never seen the color blue captured so vividly and appropriately than in this film. we watch juliette binoche's character recover from a devastating accident, but it's only enhanced with aching and electric shades of cobalt and blueberry. the quiet intensity of juliette binoche in a swimming pool never seems to fade from memory.

gattaca
dir., andrew niccol
1997
a terribly underrated film that projects his vision into the future. themes of isolation, identity, and segregation were palpable and potent in this gorgeously lensed film. noirish lighting techniques matched with rays of radium green still linger in those incredible shots of a smoldering uma thurman and stark mid-century inspired art direction.

i neglected to find a clip on youtube that would do his work justice, therefore i urge you to check out his oeuvre and understand the beauty and power of his work.