photographed by Willy Vanderperre
Spring/Summer 2008, Vogue Hommes International
I was fortunate enough to finally see Jean-Luc Godard's "Pierrot Le Fou" the other week on the crisp and lush Criterion transfer. There was that wonderful Godard rebellion running amok in the form of polemics and politics, but there was something very romantic and emotionally charged that immediately grabbed me more than some of his other work. This editorial in the new issue of Vogue Hommes International has that same sensibility, if not so explicitly implied in the expressively blue face paint. Dynamite not included.
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