Showing posts with label givenchy. Show all posts
Showing posts with label givenchy. Show all posts

Sunday, May 16, 2010

seeing red

Givenchy
Camp Shirt, $285

There are a handful of colors I tend to stay away from; orange, brown, yellow, anything day glo, and mint green. I try to lump red into that category, but I find myself time and time again trying to find a place for it in my wardrobe. I have one red Lacoste polo and the days when I decide it's time for it to come out of my drawer, I still somehow feel... not right. I think red looks best on me in stripe or plaid form, but red as a sold can be difficult because it can either make you look bold and badass or like the Kool-Aid man. I was doing some online window shopping and came across this Givenchy short sleeve button down. Wouldn't this look cool with a pair of khaki shorts and some sort of stripe cardigan? And I love the hidden button down detail save for the bottom button. The Givenchy woman looks good in red, why can't the man?

Thursday, July 3, 2008

paris: givenchy

Justin Timberlake is the face of Givenchy’s latest men’s fragrance. In the ads he’s casually relaxed while jet-setting from concert to concert, recording new music for his adoring fans, and listening to the delightful tune on some mp3 player. Blah, blah, blah. How could such a safe ad campaign come from a house that’s currently creating some of the most goth, sexual, religious inspired, masterfully tailored clothes? I, for one, would think Mr. Timberlake crooning about his sexy back in leather cuffed shorts, leather leggings, a sleeveless button down shirt, and sleeveless double-breasted waistcoat/jacket would be a revelation. That was only look two in Riccardo Tisci’s brilliant spring men’s wear collection.

Tisci has endured a rocky tenure since taking over the women’s wear side of the brand. Pleasing critics here and there and confusing fashion followers with shows so cerebral it was impossible to fall in love with the clothes. However, he has proved he is an electric force in fashion, giving the Audrey Hepburn version of Givenchy an edgy, raw, and dark, and more recently focused, makeover. For his first men’s wear collection it’s in Tisci’s bones to give his audience something they’re not quite sure they’ll like at first, but it soon will resonate and becomes highly influential. Black and white was his base as well as the proportion of shorts over leggings with a structured top. A traditional two-button suit looked sensational in the same breath as a monochromatic hot pink look that included a daring lace button down, shorts, leggings, socks, and shoes. Transparency and density were at odds as were romantic and sporty in this collection. Warring ideas that confidently complement each other in the most complex of ways gives Tisci’s collections such freshness and excitement. Where else would you see such a dramatic and severe and yet soft and pure look on a tattooed punk?

Tuesday, January 29, 2008

the couturier

As a man fashion is a matter of pragmatism and not the full on fantasy that is sold to women. Either that or I have lost my critical ability to look at women's fashion, but I couldn't wrap my brain around the recent Paris haute couture collections. They're stunning in their construction and aesthetic achievement, but I have no frame of reference for enjoying it. It's not for me and the narratives behind most of the collections are things that are of no interest to me (sea shells at Chanel, mermaids at Jean Paul Gaultier, and diamonds at Ellie Saab). However, I cannot stop admiring the unsettling and provocative beauty of Riccardo Tisci's collection for Givenchy. It's sparse, striking, and smolders in a way that feels fresh and curious about how to adorn the female form. The mannish tailored jackets that are flounced at the waist to emphasize femininity, the graphic black and white palette, the curved seams that at times burst into folds of fabric, and the fascination with leather pants culminated in a collection that was in his own way a take on the Givenchy staples (the little black dress, the white blouse, and a gamine sensibility) but is not concerned with being costumey or overly pretty like his older couture contemporaries. Since Tisci joined the house in 2005 he's attracted a new audience to follow his unique and at times avant garde brand of glamour and thought and I must say I'm included.


Click to watch his best ready-to-wear show to date.